Jim Dunlop

Americana 494P10 Made of polycarbonate. Created for mandolin & flatpicking styles. These have got a really nice solid feel.

Jazztones

Developed particulary for jazz guitarist, these are very thick and have a good grip. Notice the also have a precision contour for smooth string release. (They are bigger than they look in the photo - the 205 is the same size as a small jazz pick).

John Petrucci - Signature Jazz III

Ultex. Same front & back. Very shiney!

Stubbys

Stubby Jazz 475 1.00mm, 1.00mm, 2.0mm, 3.0mm

These are really dinky! The red one definitely looks good enough eat!.
Made from Lexan® which is a polycarbonate polymer, they are contoured for a smooth release and positive attack. They are molded in the centre to fit the finger and thumb and have a matt middle for grip. Available in three sizes.

Big Stubby 1.00mm (red one below), 2.0mm, 3.00mm in Lexan®. (photographed next to Jazz Stubby to show difference in size).

Big Stubby 1.00mm Nylon, 2.0mm Lexan®, 3.00mm Nylon. (photographed next to Jazz Stubby to show difference in size).

Tri Stubby 473 3.0mm in Lexan® with three identical corners. Also available in 1.5mm and 2.0mm

Tri Stubby 473 1.5mm (red), 2.0mm (blue) in Lexan® with three identical corners.

Jazz

Red ones = Nylon

Jazz I, II & III 47R and Jazz III XL 47pxl.

Black ones = Stiffo. Stiffos have zero flex & a better grip than the Nylon ones.

Jazz I, II & III 47R and Jazz III XL 47pxl. The Jazz III XL has a more extended gripping surface than the ordinary Jazz III.

_Jazz 427 in Ultex. Yellow is 1.38mm, Black is 2.0mm.

Tortex® Pitch Black Jazz III 482  .60mm above.  Also available in .50mm, .73mm, .88mm, 1.00mm, 1.14mm. Maximum memory, minimum wear!

Tortex®
Warm clear tones. Maximum memory & minimum wear with a good grip.

Tortex® Jazz 472 .50mm, .50mm, .88mm, .88mm, 1.14mm
I've included 2 of the L3 to show different printing & 2 of the H3 to show how the colour can vary.

Tortex® Jazz Round 472R

Tortex® Small Tear Drop 423

Tortex® Tear Drop 413

Comparison of Jazz, Small Tear Drop & Jazz Round.

Tortex® Standard 418

Tortex® Sharp 412

Tortex® Homeplate

Tortex® Triangle 431

Tortex® Fins 4141

Tortex® Wedge 424. Features a broad shoulder and sharper tip.

The white one doesn't have a 'dusty' finish like the others.

_Tortex® TIII Wedge 462. Offers the speed and precision of the Jazz III.

Other side of the 462 above.

_Tortex® Pitch Black (new ones have white print with different Dunlop logo). If so, it should also be available in .88mm and 1.14mm.

Poly

Poly Picks 479 Non-slip feel. Bevelled edges for positive attack and supersmooth release.

Fins 444

Fins 444. Durable Nylon with molded Nylon gripping surface. 4 Unique edges for different sounds. There are 6 different gauges. These are the gauges above (some having 2 colours)
.42mm (x2), .53mm (x2), .67mm (x2), .80mm, 1.07mm (out of order!). 94mm, 1.07mm.

Strum Rose 'Strummer'

These were a pretty crazy invention in the 90's! Produced to make your guitar er...sound like a 12 string...as long as you don't care about tone!  They give a very tinny sound. 

They were a great gimmick, and for some guitarists, it gave them the sound they were after, so for that reason, I think it's a shame they don't still make them!  Love the little hollow bit, I'm assuming it's to sit it on your tuning peg when not using it?

Le Pik

LePik .46mm & 1.00mm Made from a nylon composite called Fibylon.

Gator Grip

They claim to provide the most aggressive, non-slip pick surface with a clean, beveled edge designed for quick string release and positive attack.

Delrin

Delrin 500, 4100 Ultra hard plastic. Slick, stiff playing surface, excellent memory and instantaneous release. Have included an extra .46mm as it's slightly different colour & print.

Ultex

Ultex Standard. Ultex picks have resilience and snap. It's release is so clean that individual notes sing out and artificial harmonics can be fired off at will. Practically weightless, with flawless, silky edges.

Back of left one.

Gels

Gels 486  Custom formulated polycarbonate composition. Superior durability. Available in colours & gauges shown above.

Herco®

Herco® Nylon Flat: Flex 50 HE210P Extremely durable and long lasting. Made from high quality Nylon. This has been a log time favourite of many guitarists due to the unique slip-proof grip.

TeckPick

Teckpick. Made from anodized aerospace aluminium these picks provide a brilliant and sharp sound and have a smooth tip to maintain maximum string life.

Also available in brass.

Midi Standard

Midi Standard 443.  Unique in between gauges, available in .53mm, .67, .80mm, .94mm, 1.07mm, 1.14mm. Above shows two different yellows for the .80mm. Below are 1.07mm & 1.14mm that I was missing before!

Nylon Standard 44

I used one of these for years. Joan Wasser (Joan as Policewoman) uses a 60mm. I managed to get 2 after a gig!

Nylon picks have always been most popular amongst acoustic players because of the low pick noise from their softer surface.

Molded tactile gripping surface. Available in .38mm, .46mm, .60mm, .73mm, .88mm and 1.0mm (below).

Same model pick. New, unfinished, and very grubby & used!

Glow Standard

Glow Standard 446  These obviously glow in the dark! Nylon.  Available in .53mm, .67mm, .80mm, .94mm, .1.07mm, .1.14mm

Riffs Standard 43

Available .46mm, .60mm, .73mm (not got), .96mm

1980s .58mm. Celluloid.

Art by Frank Kozik

Mr. Krabs from Spongebob Squarepants!

Spongebob Squarepants (he lives in a pineapple under the sea....)

Spongebob rocking out!